This year, we are proud to organize the second edition of Audio Forum, which will once again be hosted at the Academy of Theatre, Radio, Film and Television (UL AGRFT) in Ljubljana, Slovenia. Audio Forum is a professional event dedicated to various fields of audio, bringing together lectures, presentations, and hands-on workshops while connecting industry professionals, creators, and anyone passionate about the latest developments in audio technology and sound production.
A special focus of this year’s edition will be music recording,studio production, immersive audio and AI, featuring renowned music producers, recording engineers, and studio professionals who will share their knowledge and experience. Participants will explore modern approaches to music production, recording, mixing, and audio processing while gaining valuable insight into the creative workflow behind professional music projects.
In addition, we are organizing a full-day hands-on workshop on theatre sound reinforcement, where participants will be guided through the entire process of planning, setting up, and operating a sound system for a theatrical production. The workshop will provide practical experience and a behind-the-scenes look at the work of sound engineers in live theatre productions.
Music production, post-production and music business
Live sound engineering, FOH and monitoring mixing
Sound design, composing and film score mixing
Sound design, composing and implementation of game audio
Recording, editing, mixing, live broadcast engineering
Sound design, composing, live sound engineering
Sound design, editing, mixing, broadcast engineering
Academy Award-Winning Sound for “DUNE“
IN ENGLISH
Mark Mangini is a two time Academy Award winning (Dune, Mad Max Fury Road) and six time nominated Sound Designer known for films including Blade Runner 2049, Star Treks I,IV,&V, The Fifth Element, and Gremlins. He has spent his 45 year career in Hollywood imagining and composing altered sonic realities for motion pictures. He is a frequent lecturer, an outspoken proponent for sound as art and a guitarist/songwriter with compositions in sex, lies and videotape, Star Trek IV, Picard. and others. He is a member of AMPAS, MPSE, SAG, SMPTE, and ASCAP.
Film Sound
IN SLOVENIAN
NO translation available
This session delves into editing techniques and dialog cleaning in films, emphasizing the critical role of clear and present dialog in enhancing narrative clarity. Participants will explore various tools and methods used to ensure optimal sound quality in film production.
Enhancing Sports Broadcasts with Sound Design
IN CROATIAN
CRO-ENG translation available
Discover how 4K TV and multichannel audio transform sports productions by enhancing the emotional impact on viewers. This talk covers sound design techniques, the strategic placement of microphones, and the challenges of capturing crowd sound to create immersive audio experiences in sports events.
Acoustic Ambiance as Sound Design Paradigm
IN SERBIAN
SRB-ENG translation available
Explore the role of sound design in dramatic theater, focusing on how acoustic atmospheres serve as a key element of a production’s overall dramaturgy. This talk will highlight how changes in sound can drive narrative and emotional depth within a performance.
Fundamentals of Video Game Music Design
IN SERBIAN
SRB-ENG translation available
This session covers the fundamentals of video game music design, from linear loops to interactive compositions. Participants will explore different approaches to conceptualizing, composing, and implementing music using modern game engines and audio middleware, enhancing the player’s immersive experience.
Screenwriting with Sound
IN MONTENEGRIAN
ENG translation available
A deep dive into screenwriting that explores where sound design truly begins. The workshop reveals how sound starts in the first draft of a screenplay, shaping character, emotion, and story long before post-production. Participants will learn how to write scenes that create opportunities for meaningful collaboration with directors and sound designers, using sound as a powerful storytelling tool from the very beginning; focusing on screenwriting as the first act of sound design.
Audio-Visual Techniques in Olympic Soundscapes
IN SERBIAN
NO translation available
A deep dive into the process of audio-visualization in Olympic soundscapes, comparing sound design techniques used in radio with those in audio-visual media. The session will highlight how soundscapes are created to enhance the listener’s experience during major sports events.
Hidden Factors of Sound Quality in Television Production
IN ENGLISH
NO translation available
The talk explores how secondary and background elements impact the sound quality and viewer experience of modern TV programs. It also examines the double-edged nature of contemporary production tools, using daily broadcasts from JMU RTS as a case study.
A Composer With a Producer Mindset
IN SLOVENIAN
NO translation available
Composers for media are required to produce and deliver polished, professional-sounding tracks that meet industry standards. This involves a comprehensive understanding of the entire production process, from initial concept to final mix, ensuring that the final work is of high quality and suitable for various media projects.
Live Mixing Techniques in FOH Engineering
IN SLOVENIAN
No translation available!
The FOH (Front-Of-House) Engineer for Mi2, Hamo & Tribute 2 Love will in this workshop offer insights into FOH engineering using multitrack recordings. Learn practical techniques for achieving balanced and dynamic live mixes that capture the energy and clarity of live performances.
Crafting Live Mixes with Multitrack Recordings
IN SERBIAN
No translation available!
This in-depth session will cover FOH mixing techniques for bands using multitrack recordings. Danilo will be showcasing the craft of live mixes that capture the full energy and clarity of a performance, ensuring a top-quality experience for both the audience and performers.
AI, Sound Quality and Our Nervous System
IN ENGLISH
Andrea Caniato explores the critical impact of sound quality on human communication, emphasizing the negative effects of AI-altered sound on the nervous system. With a background in voice physiology and neurophysiology, Andrea’s research highlights emerging concerns and potential risks in this under-explored area.
I, David
IN SLOVENIANRevealing more soon!
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On the 04.9.2024, the whole event and demo rooms will be held at
AVC Group Ljubljana, on Tržaška cesta 126, Ljubljana,
from 09:00 until 18:00.
ℹ️ The conference will feature talks in Slovenian, Serbian, Motenegrian, Croatian and English. All non-English talks that will be help in Cinema stage, will be simultaneously translated into English. Please note that all other talks do not feature simultaneous translations. Refer to the Speaker Lineup above for language information and translation availability.
You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.
You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.
You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.
Film screening and discussions with Janez Dovč (composer) and Brigitte Stearmose (director), moderated by Klemen Dvornik
You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.
