Unique pro-audio conference in Europe

10.-13.9.2024 @ UL AGRFT in Ljubljana, Slovenia

A new beginning
Ushering a new era in education and exchange in sound design in Central Europe, this multi-day event was conceived after a decade-long track record of Audio Forum Belgrade - a unique specimen in this part of the world.
Top-notch
Audio Forum Ljubljana in no exception in featuring crème de la crème among audio professionals - local, regional and international speakers with experience in traditional media, sound art, music production and the like.
Innovative
Each edition of the conference features a part dedicated to exploring developments in technology and media, while continuously pervading traditional media in the program - an indispensable part of Audio Forum.
Unique
Audio Forum is a unique annual conference in the field of audio production in Southeast Europe. Every year, we gather the audio community in one place, in a memorably friendly setting that the conference exudes.
Top-notch
For years, we have featured experts in audio production, from entrepreneurial and independent practitioners to arguably the biggest names in our industry - Oscar, Grammy, Emmy, BAFTA and other major award winners.
Innovative
Each edition of the conference features a part dedicated to exploring new developments in technology and media, while continuously pervading traditional media in the program - an indispensable part of every Audio Forum.

After ten years of successful runs in Belgrade, Serbia, the boutique annual conference in the domain of audio and sound design in Southeast Europe – Audio Forum – will in 2024. be also hosted at the Academy of Theatre, Radio, Film and Television (AGRFT) in Ljubljana, Slovenia.

Audio Forum Ljubljana 2024 will be held in the spirit of promoting sound design for audiovisual media as an artistic academic discipline, introducing the general public to it as well as promoting the upcoming Master’s degree in Sound Design at UL AGRFT.

The conference will last 4 days, each thematically dedicated to one of the areas of sound design within the scope of AGRFT: Theater, Radio, Film and Television. The program also contains multiple workshops and a novel type of content we call “demo rooms”, featuring activities prepared by our parters.

The conference will feature talks in Slovenian, Serbian and English. All non-English talks will be simultaneously translated into English.

Scope

Music

Music production, post-production and music business

Live Sound

Live sound engineering, FOH and monitoring mixing

Film

Sound design, composing and film score mixing

Video Games

Sound design, composing and implementation of game audio

Radio

Recording, editing, mixing, live broadcast engineering

Theater

Sound design, composing, live sound engineering

Television

Sound design, editing, mixing, broadcast engineering

Speaker Lineup

Academy Award-Winning Sound for “The Zone of Interest”

IN ENGLISH

Academy Award winners for Best Sound in “The Zone of Interest”, Tarn Willers (Production Sound Mixer) and Johnnie Burn (Sound Designer), will be giving us a quick overview of crafting the immersive film soundscape, from location sound recording to sound design.

Dialog Editing and the Clarity in Film Sound

IN SLOVENIAN
SLO-ENG translation available

This session delves into editing techniques and dialog cleaning in films, emphasizing the critical role of clear and present dialog in enhancing narrative clarity. Participants will explore various tools and methods used to ensure optimal sound quality in film production.

Enhancing Sports Broadcasts with Sound Design

IN SLOVENIAN
SLO-ENG translation available

Discover how 4K TV and multichannel audio transform sports productions by enhancing the emotional impact on viewers. This talk covers sound design techniques, the strategic placement of microphones, and the challenges of capturing crowd sound to create immersive audio experiences in sports events.

Acoustic Ambiance as Sound Design Paradigm

IN SERBIAN
SRB-ENG translation available

Explore the role of sound design in dramatic theater, focusing on how acoustic atmospheres serve as a key element of a production’s overall dramaturgy. This talk will highlight how changes in sound can drive narrative and emotional depth within a performance.

Fundamentals of Video Game Music Design

IN ENGLISH

This session covers the fundamentals of video game music design, from linear loops to interactive compositions. Participants will explore different approaches to conceptualizing, composing, and implementing music using modern game engines and audio middleware, enhancing the player’s immersive experience.

The Visual effects, animation and game art Department at the Faculty of Dramatic Arts

IN ENGLISH

Understanding arts is key to good practices in sound design. Computer-generated imagery takes a hefty share in this space but its relationship with sound is surprisingly underexplored. A novel department at Belgrade’s Faculty of Dramatic Arts seems like a good place to kickstart the conversation.

Audio-Visual Techniques in Olympic Soundscapes

IN SERBIAN
SRB-ENG translation available

A deep dive into the process of audio-visualization in Olympic soundscapes, comparing sound design techniques used in radio with those in audio-visual media. The session will highlight how soundscapes are created to enhance the listener’s experience during major sports events.

Hidden Factors of Sound Quality in Television Production

IN SERBIAN
SRB-ENG translation available

The talk explores how secondary and background elements impact the sound quality and viewer experience of modern TV programs. It also examines the double-edged nature of contemporary production tools, using daily broadcasts from JMU RTS as a case study.

About sound in simultaneous interpreting

IN ENGLISH

Let’s talk about how sound quality impacts voice intelligibility in simultaneous interpreting with a conference interpreter for the EU and UN and a court interpreter for English and Croatian. How does input and output sound impact voice intelligibility and the effectiveness of interpretation in high-stakes international settings.

A Composer With a Producer Mindset

IN ENGLISH

Composers for media are required to produce and deliver polished, professional-sounding tracks that meet industry standards. This involves a comprehensive understanding of the entire production process, from initial concept to final mix, ensuring that the final work is of high quality and suitable for various media projects.

A Hands-On Workshop in Creating Psy-trance

IN SLOVENIAN
No translation available!

This workshop focuses on the process of creating electronic music, particularly in the psy-trance and psy-chill genres. Using a completed track participants will explore sound synthesis, arrangement, and mixing techniques in Ableton Live to craft unique electronic soundscapes.

Live Mixing Techniques in FOH Engineering

IN SLOVENIAN
No translation available!

The FOH (Front-Of-House) Engineer for Mi2, Hamo & Tribute 2 Love will in this workshop offer insights into FOH engineering using multitrack recordings. Learn practical techniques for achieving balanced and dynamic live mixes that capture the energy and clarity of live performances.

Crafting Live Mixes with Multitrack Recordings

IN SLOVENIAN
No translation available!

This in-depth session will cover FOH mixing techniques for bands using multitrack recordings. Danilo will be showcasing the craft of live mixes that capture the full energy and clarity of a performance, ensuring a top-quality experience for both the audience and performers.

The Culture of Listening

IN SLOVENIAN
No translation available!

A seasoned sound designer with nearly 40 years of freelancing experience, specializing in mastering, mixing, and recording. Initially focused on FOH engineering for acts like Laibach and Tinkara Kovač, Janez is now primarily working in the studio with various renowned artists.

Spectral Panning: Depth in Classical Music

IN SLOVENIAN
No translation available!

Ever heard of the the technique of spectral panning in classical music? During this session, we’ll have a look at how this advanced technique enhances spatial depth and clarity in orchestral recordings, offering a richer and more immersive listening experience for the audience.

AI, Sound Quality and Our Nervous System

IN ENGLISH

Andrea Caniato explores the critical impact of sound quality on human communication, emphasizing the negative effects of AI-altered sound on the nervous system. With a background in voice physiology and neurophysiology, Andrea’s research highlights emerging concerns and potential risks in this under-explored area.

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Can you guess?

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DEMO ROOMS

This what we call spaces where you can interact with the tech and people from the business. Be sure to check out the following content:

 
During the whole event from 08:00 to 18:00:
  • IOLAR Demo Room in AV1, at the 1st floor of UL AGRFT
  • Sennheiser Demo Room in Mali Studio, at the 4th floor of UL AGRFT
  • AVC Group Demo Room in Veliki studio, at the 5th floor of UL AGRFT

From 12. to 13.9.2024, from 08:00 to 18:00:

  • DVB Pro OB Truck, in front of the main entrance to the UL AGRFT

Schedule

ℹ️ The conference will feature talks in Slovenian, Serbian and English. All non-English talks will be simultaneously translated into English. Please note that workshops do not feature simultaneous translations. Refer to the Speaker Lineup above for language information and translation availability.

10.9.2024.

You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.

11.9.2024.

You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.

12.9.2024.

You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.

Film screening and discussions with Janez Dovč (composer) and Brigitte Stearmose (director), moderated by Klemen Dvornik

13.9.2024.

You can check in at the reception desk right at the main entrance, anytime between 08:00 and 19:00! Please have your ticket ready if you haven’t checked in already. You only check in once, upon which you’ll receive a badge that grants you access to the event.

They said about us

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